Exhibitions

Zdena Kolečková's exhibition Eroica captures in six photographs the story of an encounter with a heavily tested industrial landscape.

The visual language of PXS is cultural codes from many disciplines, which capture the spirit of the time and act as links. Underpasses and passages in the city are filled with emptiness. The wind blows through their bowels and spreads leaves everywhere with pieces of paper, notes, fragments of slogans.

If the vaginas had dreams, they could take the form that Marie Lukáčová comes up with in a series called Vagina Fantasy. The vaginas in the images acquired wings, tentacles, braids and mouths.

Anna Beata Háblová wrote a set of short poems for the Artwall gallery dealing with climate change, devastation, deforestation, and dehydration of landscapes, but also the recent ecological catastrophe on the river Bečva. Artist uses poetry to describe the non-poetic reality of ecological destruction.

The exhibition project created for the Artwall Gallery is primarily an activist gesture of a young trans man and his mother, pointing towards a contemporary society in which trans people still find it difficult to find their place and are all too often exposed to humiliation, bully

The panels of the Artwall Gallery show devastated landscape with parched soil, smoking chimneys and dead trees.

An exhibition by Apolena Rychlíková and Vladimír Turner is focused on a critical reflection on contemporary changing conditions in Prague will launch at the Artwall Gallery in Prague. The exhibition deals with overtourism, gentrification, and the climate crisis among others.

In the photos of Dutch artist Jaap Scheeren, there are animals in their environment endangered by human activities. The artist's photographs convey what animals might think about us.

Thirty years after the Velvet Revolution, environmental issues remain marginalized by Czech political representation. Yet, it was the protection of the environment that, together with the strife for democracy and human rights, fueled the desire for change in 1989.

The collages on view at Artwall by Gergely László and Katarina Šević pose the distorted and grotesque body as the metaphor for the rise of violence and militancy apparent in today’s society.